The Canon Speedlite 430EX II Flash is Canon's mid-range shoe mount flash, yet it offers many of the same advanced features as its bigger brother, the 580EX II. It is designed to fully support the entire range of Canon digital SLR and G-series cameras.

The smc DA 50mm f/1.8 Lens from Pentax is a fast f/1.8 lens for cameras with a Pentax K mount. In full-frame (35mm) format, this is considered a "normal" lens. Mounted to a camera with an APS-C sensor, this lens gives an angle of view equivalent to a 76.5mm telephoto lens--ideal for portraits. The wide f/1.8 aperture makes this an essential lens for working in low light, and it also delivers beautiful bokeh (the out-of-focus portion of a photograph). This lightweight (4.3 oz) lens is very compact--just 1.5" (3.8 cm) long. The addition of Pentax Super Protect (SP) coating to the lens helps prevent dust, water, grease and other substances from attaching themselves to a lens and degrading image quality.

Canon's Speedlite 320EX is a versatile flash that includes an LED light on the front that can be used as a modeling light, an AF assist beam during Live View shooting, or to light up nearby subjects in low light for video recording. It will provide up to 4 hours of continuous lighting with fully-charged AA batteries. The 320EX is E-TTL- and E-TTL II-compatible using Type-A EOS cameras, and it has a guide number of 78.7'/24m @100 ISO at 24mm

Wide-ratio 5.8x zoom Compact, versatile and ideal for a broad range of shooting situations, ranging from interiors and landscapes to beautiful portraits—a perfect everyday zoom. Vibration Reduction is engineered specifically for each VR NIKKOR lens and enables handheld shooting at up to 3 shutter speeds slower than would otherwise be possible, assuring dramatically sharper images.

The Sigma 2x EX APO Tele Converter (also known as a tele-extender) will multiply the focal length of the existing lens by 2x, and will cut back the amount of light by 2 f/stops. For example, using a 2x teleconverter with a 300 mm lens will effectively increase the focal length to 600 mm. A lens set to f/2.8 will now be f/5.6.

The Sigma 2x EX APO Tele Converter (also known as a tele-extender) will multiply the focal length of the existing lens by 2x, and will cut back the amount of light by 2 f/stops. For example, using a 2x teleconverter with a 300 mm lens will effectively increase the focal length to 600 mm. A lens set to f/2.8 will now be f/5.6.

The Sigma 2x EX APO Tele Converter (also known as a tele-extender) will multiply the focal length of the existing lens by 2x, and will cut back the amount of light by 2 f/stops. For example, using a 2x teleconverter with a 300 mm lens will effectively increase the focal length to 600 mm. A lens set to f/2.8 will now be f/5.6.

The Sigma 2x EX APO Tele Converter (also known as a tele-extender) will multiply the focal length of the existing lens by 2x, and will cut back the amount of light by 2 f/stops. For example, using a 2x teleconverter with a 300 mm lens will effectively increase the focal length to 600 mm. A lens set to f/2.8 will now be f/5.6.

The Canon EF-S 18-135mm f/3.5-5.6 IS Lens boasts a 35mm equivalency of 29-216mm when used with a Canon APS-C EOS Digital SLR. Measuring just 4" in length and weighing about a pound, the lens offers a convenient wide angle to telephoto focal length. Containing 16 elements (including a UD-glass element) in 12 groups, the Canon EF-S 18-135mm f/3.5-5.6 IS Lens captures an angle-of-view (AOV) range of about 74.2° to 11.3°, which is wide enough for most landscapes and long enough to capture more distant subjects.

The Tamron AF18-200mm F/3.5-6.3 XR Di-II LD Aspherical (IF) MACRO is a high power zoom lens designed exclusively for digital SLR cameras using the more compact (APS-C) digital size image sensors. The focal length of this lens is equivalent to approx. 28-300mm in 35mm format.

The Tamron AF18-200mm F/3.5-6.3 XR Di-II LD Aspherical (IF) MACRO is a high power zoom lens designed exclusively for digital SLR cameras using the more compact (APS-C) digital size image sensors. The focal length of this lens is equivalent to approx. 28-300mm in 35mm format.

The Tamron AF18-200mm F/3.5-6.3 XR Di-II LD Aspherical (IF) MACRO is a high power zoom lens designed exclusively for digital SLR cameras using the more compact (APS-C) digital size image sensors. The focal length of this lens is equivalent to approx. 28-300mm in 35mm format.

M.Zuiko Digital ED 40-150 mm f4.0-5.6 is extremely light, weighing only 6.7 ounces. With a wide zoom range with a 35 mm equivalent to 80-300 mm, this lens offers versatility and portability. It's an affordable complement to the powerfully simple 3x wide-angle zoom lens that comes standard with the PEN kit. The M.Zuiko 40-150 mm has two lens elements in the rear focusing mechanism. The focusing mechanism is designed to deliver quiet and precise operation, for an affordable, high quality means to capture your life in still images or HD videos.

A great advantage of Micro Four Thirds cameras is their small size and weight, but to maintain that advantage, you need small, light lenses. This wide-angle Panasonic Lumix G 14mm F2.5 ASPH Lens (28mm equivalent in 35mm) is about as small and light as you can get in this format--it has a diameter of just 2.19", length of 0.81" (from the tip of the lens to the base side of the lens mount) and it weighs a mere 1.94 oz.

The M.Zuiko Digital ED 14-42mm f/3.5-5.6 II R Lens (Black) from Olympus is a high-power wide to short telephoto zoom (28-84mm in 35mm equivalent) that offers amazing optical performance in an extraordinarily compact and lightweight (3.9 oz, 111g) design.

The 16-50mm f/3.5-5.6 OSS Alpha E-mount Retractable Zoom Lens from Sony is a retractable zoom lens with a focal length range of 24-75mm in the 35mm format equivalency. It covers shooting lengths from true wide angle to standard portrait length and is a great day-to-day type lens, especially since its unique retractability keeps it very compact. When powered on, the lens expands, but in its off position the lens is only 1.2" (30mm) which will fit in your pocket. When expanded, it has a surprisingly large zoom range and access to its dual-function control ring for manual focus and zooming. Its Power Zoom capability in AF mode and Internal Stepping Motor provide, fast, smooth and quiet autofocus which is helpful when shooting video with this lens.

The versatile DA 55-300mm ED zoom lens offers an extreme telephoto zoom range, perfect for those moderate to long shots. ED elements compensate for chromatic aberration, while the Pentax SP coating which protects the exposed lens elements. Developed specifically for Pentax digital SLRs, the DA 55-300mm ED zoom has a focal length equivalent to 82.5mm to 450mm in the 35mm format.

This fast wideangle lens with a minimum focusing distance of only 0.8' allows you to approach the subject closer and still obtain a more natural wideangle effect. Excellent background blur for portraits is obtainable.

Sony's SEL55210 55-210mm f/4.5-6.3 Lens brings the world to owners of NEX cameras in a long telephoto zoom lens. The equivalent of 82-315 mm in full-frame or 35 mm format, this lens has a versatile short-to-long telephoto range. The wide range is great for bringing your subject closer to you, no matter how far away it is. Internal focusing gives you smooth, responsive autofocus, with minimum noise--perfect for capturing video. With a telephoto lens, image stabilization is very important to prevent camera shake--Optical SteadyShot gives you the ability to capture sharp, crisp images (still or video) even in low light or when zooming into distant subjects. Two ED (Extra-low Dispersion) glass elements help to suppress chromatic aberration color bleeding at all focal lengths, so you have excellent image quality throughout the zoom range. This is a lens that you'll want to keep handy at all times for dramatic long-range images.

This compact high zoom ratio lens incorporates Sigma's original OS (Optical Stabilizer) function. This system uses two sensors inside the lens to detect vertical andhorizontal movement of the camera and works by moving an optical image stabilizing lens group to effectively compensate for camera shake. It offers the use of shutter speeds approximately 4 stops slower.